Libby ϟ Boltie (
fuckingbeatevil) wrote2013-04-12 02:21 am
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User Name/Nick: Lolli
User DW: N/A
AIM/IM: MSN: nillalolli
E-mail: nillalolli@hotmail.com
Other Characters: N/A
Character Name: Libby / Boltie
Series: Super
Age: 22
From When?: Post-movie
Inmate/Warden: Inmate. Libby’s motivated by her need to save the world and totally fucking beat evil, but her methods are extreme. She’s willing to kill people for the smallest of crimes (she attempts to cave in a man’s skull for keying her friend’s car) and doesn’t believe in double checking her facts before she acts. She’s impulsive, hypocritical, rude, very, very violent and completely caught up in the idea of being a comic book heroine.
Working with a warden should hopefully help her mature and learn to accept that not everything she does is fine and dandy; she’s not always right, whether she likes it or not. Libby also needs to learn that not everything is in black and white and her violent outbursts are more of a danger to the community around her than the criminals she’s trying to murder. To put things simply, Libby needs a heavily upgraded moral compass and someone to show her that extreme vigilantism isn’t always the right way to go when dealing with crime.
Abilities/Powers: Libby’s a regular human, with very little combat training. She’s pretty resourceful, though and recently learned how to make a pipe-bomb as well as use a handgun.
Personality: Libby’s moods tend to swing wildly from one end of the spectrum to the other. One minute, she’ll be laughing hysterically, the next and she’s trying to cave a man’s skull while shrieking like a harpy. It’d be fair to say that she’s rather unstable and appears to have difficulty controlling her moods when she’s passionate about something. However, in many cases - like when she’s at work, for example - Libby does demonstrate an ability to restrain herself at least a little, though is still prone to random outbursts and suffers from a noticeable lack of focus.
In addition to her dramatic mood changes, Libby tends to experience powerful fits of rage. Her temper is explosive, however, while it’s sudden and extremely violent, it also fades out quickly. When Frank rejects her idea to go out and fight some crime on the grounds he’s still badly injured, her playful punches suddenly turn fierce and she starts shouting at him for being a pussy, only to off-handedly declare she wants some snacks a moment later. Afterwards, when she and Frank are beating up the guy who keyed Libby’s friends’ car, she repeatedly kicks him in the stomach, laughing the entire time, but is soon pushed back into a wall. She screams that it’s as bad as when Frank got shot and promptly breaks a glass vase over the ‘criminal’s’ head, maiming his face; only a few seconds later, she’s on top of him, trying to crush his skull with a statuette. Like her many other sudden fits, she’s not even slightly mad when Frank drags her out of the house to scold her for almost killing someone.
She’s (arguably) a nice enough girl, though she’s still exceptionally inconsiderate of others. During her first meeting with Frank, she furiously demands that he doesn’t make fun of her name, only to start making jokes about his not even a moment later. She also uses phrases that can really bother other people, like describing something she doesn’t like as ‘gay’ and saying that the characters in a poorly drawn comic book look like ‘mongoloids’. After her first time exposing her new sidekick outfit, she demands that Frank take her out to fight some crime, shoving him and calling him a pussy when he tell her that his leg isn’t full healed from the bullet wound he received only a few days ago.
Her life view is in plain black and white; either you’re evil or you’re good, and there’s absolutely no in between. Unfortunately, Libby views even small misdemeanors as awful enough to warrant death; she tries to kill a man for keying her friend’s car, claiming it’s fine because he was, apparently, so fucking evil and his death would stop him from ever keying another car. Libby doesn’t comprehend the idea of showing mercy to anyone who breaks the law or annoys her, going as far as to pull a machete on a man who bumped her in a store and didn’t apologize.
For a reason that’s never really explained in canon, Libby can’t stand anything she deems a lie; the keyword here being ‘deems’. Libby thinks that she’s always right, regardless of other’s conflicting opinions and she tends to lash out whenever her thoughts are questioned or outright rejected. When Frank scolds her for nearly killing a man, she tells him that it’s fine because he was evil, and begins to tear up and hysterically shout about how Frank won’t believe her. Later, after Frank rejects her sexual advances, she flies off the handle, calling him a fucking liar and demanding that he be honest and admit he wants to sleep with her, despite the fact Frank shows no romantic or sexual attraction toward her.
Libby is desperate to please. She idolizes Frank, once calling him fucking awesome and insisting through the film that she should be his sidekick. She’s willing to change herself just to make him happy, agreeing that her swearing is completely inappropriate when he mentions that he doesn’t like the way she speaks, even though earlier Libby shows no remorse for just how awful her language can be. When Frank rejects her the second time, she nearly bursts into tears and begs him to look at her, desperate to have him accept her as more than just a friend and sidekick. Libby’s need for acceptance and affection can become extremely twisted, as shown when she rapes Frank after he continues to refuse her advances; through-out the entire act, she tries to convince Frank that does want her, but he just can’t admit it because he’s still married. In a disturbing attempt at ‘helping’ Frank distance himself from the idea of cheating, Libby forces him to wear the Crimson Bolt mask, claiming that his superhero persona isn’t married, so he isn’t cheating.
One of Libby’s main flaws is her inability to accept responsibility for any wrong actions. She’s more than happy to take the credit for deeds she’s praised for, but whenever something negative happens, she denies that she had any ties with it. The first example is when she and Frank break into a young man’s house to beat him for keying one of Libby’s friends’ car. After she nearly kills him, Libby reveals that she actually wasn’t certain whether or not he was the one who damaged her friend’s car, and claims her sudden violent outburst and lack of evidence wasn’t her fault, she just wasn’t thinking straight. Later in the film, after being rejected with no shortage of disgust after asking Frank to make-out with her, Libby attempts to distance herself from her faux par by saying it was just an offer and she didn’t mean anything by it. Before that scene, after she mocks Frank’s name and he calls her out on her hypocrisy (since she just asked him not to make fun of her name), Libby changes the subject by inviting him to a party. Finally, after one of the most disturbing scenes in the film in which Libby actually rapes Frank, she refuses to acknowledged that it ever happened and never mentions it again, most likely unable to accept that she did something unforgivable - this is also the first time Libby shows any kind of remorse for her actions and not just for getting caught; she looks horrified and apologises after Frank pushes her off him and runs to the bathroom to vomit. However, she also claims that she was sleep-walking, once again trying to shrug off responsibility for her actions.
Another of her flaws is her hypocrisy. She’ll claim people who damage other people’s property are the embodiment of all things evil and wrong, but then she’ll crash someone else’s car and see nothing wrong with it. Because she views herself as a superheroine, she doesn’t hold herself to the same rules and regulations that she holds everyone else to. She’ll make exceptions for anyone else who claims to be a superhero, and, if anything, encourages her fellow heroes to murder any criminals they see, preaching that it’s the only way to truly beat evil.
Libby seems to have extreme difficulty concentrating on one thing at a time. Amid her very first conversation with Frank about the Holy Avenger, she goes completely off-topic and begins to question how midgets function, mentioning that she doesn’t think should could survive being so small. Later, when Frank becomes offended when Libby makes fun of his name, she completely drops the subject in favor of inviting him to a party. Her random outbursts can fit into any of her moods, but tend to be either stem from excitement or pure rage.
Despite her borderline manic confidence, Libby’s actually quite insecure. She repeatedly calls herself stupid for even the smallest of mistakes like when Frank comes to the comic book store for the second time to buy more issues, Libby offers to help him find superheroes who don’t have the superpowers. After suggesting Batman and the Green Arrow, she questions whether or not Iron Man counts, since he doesn’t have superpowers, but has a superpowered suit. Frank rejects the idea and Libby immediate begins scolding herself, claiming she’s an idiot. Prior to that, she suggests Captain America is another hero without powers, but quickly remembers that he’s a super-solider, again calling herself an idiot for not recalling that.
It’s obvious that Libby is a sadist from her overjoyed reactions to the suffering of criminals. During most of her kills, she laughs hysterically and prefers to go for the non-vital organs first, keeping her victims alive for much longer in order to mock them. In the scene where she crashes a car into a man’s legs and pins him to a wall, she immediately jumps out of the car to, quite literally, point and laugh at his pain, calling him names and jumping around when he starts vomiting blood on the hood of the vehicle. In the same scene, she turns to a man who’s recently been shot to make fun of him as well, screaming in his face that he’s going to die from internal bleeding before Frank drags her away.
As for her physical mannerisms, Libby tends to speak with her hands. It’s rare that she can actually keep completely still when speaking, and if she’s not waving her hands around or making her own little signals, she’s jumping around or pacing. When she’s passionate about a subject, there’s a good chance she’ll actually start gently punching someone in the arms or chest, gradually getting harder the more excited or frustrated she becomes during the talk. She also frequently acts out the things she's talking about; for example, when she brings up her inability to understand how midgets operate, she ducks down to peer over the edge of her desk.
Barge Reactions: Libby’s a huge comic fangirl, so if she sees any of her favorite characters around, she’ll just assume she’s in a wonderful coma fantasy. But, once the gravity of ‘you’re stuck here forever’ sets in, she’ll return back to her usual duty of beating up (and maybe killing) anyone she thinks is a baddie with the same manic grin and fucked up cackling. She’s not going to be happy about the idea of having to redeem herself, because, naturally, she doesn’t think she’s done anything wrong - aside from one thing, but if that’s brought up she’ll completely flip her shit.
She won’t side with any real ‘type’ of person, however she’ll most likely gravitate towards the superheroes and vigilantes out of sheer idolization. Due to her attitude, she’ll probably end up also chilling with villains, so long as they don’t actually refer to themselves as such or do anything really ‘evil’ without her around to validate their actions.
Long story short, Libby will fangirl. Then fight crime. Then fangirl some more (while cracking open a skull).
Path to Redemption: Bringing up the fact that, yes, she raped someone would be her strongest trigger. Since she legitimately and very strongly believes that criminals deserve to be killed off as brutally as possible, trying to rub the title of murder in her face won’t change her behavior, however, bringing up the one time she actually appears to understand that she’s done something awful would be a major reason for her to change.
Libby is also desperate for approval from people she idolizes, or anyone who helps her deviate from her mundane life. She tends to listen to people when she finds them interesting or different, but shrugs off anyone who would fit into her regular life.
History: Here.
Sample Journal Entry: Okay, okay. So, like, this fucking cocksucker today tried to tell me that Spiderman would win in a fight against Batman. What the fuck, dude?! Isn’t that just fucking crazy? Like, I don’t even understand how that would work. Spiderman’s cool and all, but he’s such a fucking mongoloid compared to Batman, plus, Batman’s got all that weird tech shit in his utility belt, so he’s probably got anti-Spiderman spray or something. Jesus fucking Christ, some people are just too stupid to function.
Oh, and by the way, whichever stupid bastard it was who took my Iron Man #3, you better give that shit back before I slice your fucking face off and wear it like a mask.
Sample RP: Libby didn’t understand why her warden was so against her totally incredible crime-fighting techniques. Surely, if she beat a mugger to death, he wouldn’t be able to ever torment an old lady of grade school kid ever again, right? Unless he was a zombie, of course, but that would bring up far too many questions that Libby couldn’t be bothered to even begin considering. Anyway, what really mattered was her warden’s inability to see reason. Apparently threatening to crush some stupid asshole’s skull was ‘inappropriate’, not that Libby could really see what was so wrong with it and her warden refused to properly explain to her what was so terrible about trying to destroy evil. They just continued repeating over and over again, “It’s just not okay, Libby,” until the superheroine in question was damn tempted to break a bottle over their head, if only to make them shut up for five minutes.
Thankfully, she managed to hold herself back, but there was still that nagging little voice in the back of her head - oddly enough, she thought it kind of sounded like Adam West, but she had probably just been watching way too many old episodes of Batman - that told her to just do it. Beat the shit out of her warden; it was the right thing to do, because they were just so fucking evil and it was her job as a kid sidekick to destroy evil in all it's forms! Or, well, that's what the comics had told her and that's what Libby was going to believe until proved otherwise.
With a sigh, Libby rubbed the sleep out of her eyes, whining under her breath about how bullshit it was that she couldn't sleep. Her warden was probably sleeping well, all safe and happy and totally evil enough to go around kidnapping innocent heroines; fucking asshole. All they ever did was bitch on and on about how she shouldn't threaten the other inmates and she shouldn't talk about her numerous murders like they were something to be proud of - but come on, completely destroying a guy's entire lower body with a car was definitely something to brag about. Obviously her warden was just too thick headed to understand. Or they were too evil. Whichever, really.
User DW: N/A
AIM/IM: MSN: nillalolli
E-mail: nillalolli@hotmail.com
Other Characters: N/A
Character Name: Libby / Boltie
Series: Super
Age: 22
From When?: Post-movie
Inmate/Warden: Inmate. Libby’s motivated by her need to save the world and totally fucking beat evil, but her methods are extreme. She’s willing to kill people for the smallest of crimes (she attempts to cave in a man’s skull for keying her friend’s car) and doesn’t believe in double checking her facts before she acts. She’s impulsive, hypocritical, rude, very, very violent and completely caught up in the idea of being a comic book heroine.
Working with a warden should hopefully help her mature and learn to accept that not everything she does is fine and dandy; she’s not always right, whether she likes it or not. Libby also needs to learn that not everything is in black and white and her violent outbursts are more of a danger to the community around her than the criminals she’s trying to murder. To put things simply, Libby needs a heavily upgraded moral compass and someone to show her that extreme vigilantism isn’t always the right way to go when dealing with crime.
Abilities/Powers: Libby’s a regular human, with very little combat training. She’s pretty resourceful, though and recently learned how to make a pipe-bomb as well as use a handgun.
Personality: Libby’s moods tend to swing wildly from one end of the spectrum to the other. One minute, she’ll be laughing hysterically, the next and she’s trying to cave a man’s skull while shrieking like a harpy. It’d be fair to say that she’s rather unstable and appears to have difficulty controlling her moods when she’s passionate about something. However, in many cases - like when she’s at work, for example - Libby does demonstrate an ability to restrain herself at least a little, though is still prone to random outbursts and suffers from a noticeable lack of focus.
In addition to her dramatic mood changes, Libby tends to experience powerful fits of rage. Her temper is explosive, however, while it’s sudden and extremely violent, it also fades out quickly. When Frank rejects her idea to go out and fight some crime on the grounds he’s still badly injured, her playful punches suddenly turn fierce and she starts shouting at him for being a pussy, only to off-handedly declare she wants some snacks a moment later. Afterwards, when she and Frank are beating up the guy who keyed Libby’s friends’ car, she repeatedly kicks him in the stomach, laughing the entire time, but is soon pushed back into a wall. She screams that it’s as bad as when Frank got shot and promptly breaks a glass vase over the ‘criminal’s’ head, maiming his face; only a few seconds later, she’s on top of him, trying to crush his skull with a statuette. Like her many other sudden fits, she’s not even slightly mad when Frank drags her out of the house to scold her for almost killing someone.
She’s (arguably) a nice enough girl, though she’s still exceptionally inconsiderate of others. During her first meeting with Frank, she furiously demands that he doesn’t make fun of her name, only to start making jokes about his not even a moment later. She also uses phrases that can really bother other people, like describing something she doesn’t like as ‘gay’ and saying that the characters in a poorly drawn comic book look like ‘mongoloids’. After her first time exposing her new sidekick outfit, she demands that Frank take her out to fight some crime, shoving him and calling him a pussy when he tell her that his leg isn’t full healed from the bullet wound he received only a few days ago.
Her life view is in plain black and white; either you’re evil or you’re good, and there’s absolutely no in between. Unfortunately, Libby views even small misdemeanors as awful enough to warrant death; she tries to kill a man for keying her friend’s car, claiming it’s fine because he was, apparently, so fucking evil and his death would stop him from ever keying another car. Libby doesn’t comprehend the idea of showing mercy to anyone who breaks the law or annoys her, going as far as to pull a machete on a man who bumped her in a store and didn’t apologize.
For a reason that’s never really explained in canon, Libby can’t stand anything she deems a lie; the keyword here being ‘deems’. Libby thinks that she’s always right, regardless of other’s conflicting opinions and she tends to lash out whenever her thoughts are questioned or outright rejected. When Frank scolds her for nearly killing a man, she tells him that it’s fine because he was evil, and begins to tear up and hysterically shout about how Frank won’t believe her. Later, after Frank rejects her sexual advances, she flies off the handle, calling him a fucking liar and demanding that he be honest and admit he wants to sleep with her, despite the fact Frank shows no romantic or sexual attraction toward her.
Libby is desperate to please. She idolizes Frank, once calling him fucking awesome and insisting through the film that she should be his sidekick. She’s willing to change herself just to make him happy, agreeing that her swearing is completely inappropriate when he mentions that he doesn’t like the way she speaks, even though earlier Libby shows no remorse for just how awful her language can be. When Frank rejects her the second time, she nearly bursts into tears and begs him to look at her, desperate to have him accept her as more than just a friend and sidekick. Libby’s need for acceptance and affection can become extremely twisted, as shown when she rapes Frank after he continues to refuse her advances; through-out the entire act, she tries to convince Frank that does want her, but he just can’t admit it because he’s still married. In a disturbing attempt at ‘helping’ Frank distance himself from the idea of cheating, Libby forces him to wear the Crimson Bolt mask, claiming that his superhero persona isn’t married, so he isn’t cheating.
One of Libby’s main flaws is her inability to accept responsibility for any wrong actions. She’s more than happy to take the credit for deeds she’s praised for, but whenever something negative happens, she denies that she had any ties with it. The first example is when she and Frank break into a young man’s house to beat him for keying one of Libby’s friends’ car. After she nearly kills him, Libby reveals that she actually wasn’t certain whether or not he was the one who damaged her friend’s car, and claims her sudden violent outburst and lack of evidence wasn’t her fault, she just wasn’t thinking straight. Later in the film, after being rejected with no shortage of disgust after asking Frank to make-out with her, Libby attempts to distance herself from her faux par by saying it was just an offer and she didn’t mean anything by it. Before that scene, after she mocks Frank’s name and he calls her out on her hypocrisy (since she just asked him not to make fun of her name), Libby changes the subject by inviting him to a party. Finally, after one of the most disturbing scenes in the film in which Libby actually rapes Frank, she refuses to acknowledged that it ever happened and never mentions it again, most likely unable to accept that she did something unforgivable - this is also the first time Libby shows any kind of remorse for her actions and not just for getting caught; she looks horrified and apologises after Frank pushes her off him and runs to the bathroom to vomit. However, she also claims that she was sleep-walking, once again trying to shrug off responsibility for her actions.
Another of her flaws is her hypocrisy. She’ll claim people who damage other people’s property are the embodiment of all things evil and wrong, but then she’ll crash someone else’s car and see nothing wrong with it. Because she views herself as a superheroine, she doesn’t hold herself to the same rules and regulations that she holds everyone else to. She’ll make exceptions for anyone else who claims to be a superhero, and, if anything, encourages her fellow heroes to murder any criminals they see, preaching that it’s the only way to truly beat evil.
Libby seems to have extreme difficulty concentrating on one thing at a time. Amid her very first conversation with Frank about the Holy Avenger, she goes completely off-topic and begins to question how midgets function, mentioning that she doesn’t think should could survive being so small. Later, when Frank becomes offended when Libby makes fun of his name, she completely drops the subject in favor of inviting him to a party. Her random outbursts can fit into any of her moods, but tend to be either stem from excitement or pure rage.
Despite her borderline manic confidence, Libby’s actually quite insecure. She repeatedly calls herself stupid for even the smallest of mistakes like when Frank comes to the comic book store for the second time to buy more issues, Libby offers to help him find superheroes who don’t have the superpowers. After suggesting Batman and the Green Arrow, she questions whether or not Iron Man counts, since he doesn’t have superpowers, but has a superpowered suit. Frank rejects the idea and Libby immediate begins scolding herself, claiming she’s an idiot. Prior to that, she suggests Captain America is another hero without powers, but quickly remembers that he’s a super-solider, again calling herself an idiot for not recalling that.
It’s obvious that Libby is a sadist from her overjoyed reactions to the suffering of criminals. During most of her kills, she laughs hysterically and prefers to go for the non-vital organs first, keeping her victims alive for much longer in order to mock them. In the scene where she crashes a car into a man’s legs and pins him to a wall, she immediately jumps out of the car to, quite literally, point and laugh at his pain, calling him names and jumping around when he starts vomiting blood on the hood of the vehicle. In the same scene, she turns to a man who’s recently been shot to make fun of him as well, screaming in his face that he’s going to die from internal bleeding before Frank drags her away.
As for her physical mannerisms, Libby tends to speak with her hands. It’s rare that she can actually keep completely still when speaking, and if she’s not waving her hands around or making her own little signals, she’s jumping around or pacing. When she’s passionate about a subject, there’s a good chance she’ll actually start gently punching someone in the arms or chest, gradually getting harder the more excited or frustrated she becomes during the talk. She also frequently acts out the things she's talking about; for example, when she brings up her inability to understand how midgets operate, she ducks down to peer over the edge of her desk.
Barge Reactions: Libby’s a huge comic fangirl, so if she sees any of her favorite characters around, she’ll just assume she’s in a wonderful coma fantasy. But, once the gravity of ‘you’re stuck here forever’ sets in, she’ll return back to her usual duty of beating up (and maybe killing) anyone she thinks is a baddie with the same manic grin and fucked up cackling. She’s not going to be happy about the idea of having to redeem herself, because, naturally, she doesn’t think she’s done anything wrong - aside from one thing, but if that’s brought up she’ll completely flip her shit.
She won’t side with any real ‘type’ of person, however she’ll most likely gravitate towards the superheroes and vigilantes out of sheer idolization. Due to her attitude, she’ll probably end up also chilling with villains, so long as they don’t actually refer to themselves as such or do anything really ‘evil’ without her around to validate their actions.
Long story short, Libby will fangirl. Then fight crime. Then fangirl some more (while cracking open a skull).
Path to Redemption: Bringing up the fact that, yes, she raped someone would be her strongest trigger. Since she legitimately and very strongly believes that criminals deserve to be killed off as brutally as possible, trying to rub the title of murder in her face won’t change her behavior, however, bringing up the one time she actually appears to understand that she’s done something awful would be a major reason for her to change.
Libby is also desperate for approval from people she idolizes, or anyone who helps her deviate from her mundane life. She tends to listen to people when she finds them interesting or different, but shrugs off anyone who would fit into her regular life.
History: Here.
Sample Journal Entry: Okay, okay. So, like, this fucking cocksucker today tried to tell me that Spiderman would win in a fight against Batman. What the fuck, dude?! Isn’t that just fucking crazy? Like, I don’t even understand how that would work. Spiderman’s cool and all, but he’s such a fucking mongoloid compared to Batman, plus, Batman’s got all that weird tech shit in his utility belt, so he’s probably got anti-Spiderman spray or something. Jesus fucking Christ, some people are just too stupid to function.
Oh, and by the way, whichever stupid bastard it was who took my Iron Man #3, you better give that shit back before I slice your fucking face off and wear it like a mask.
Sample RP: Libby didn’t understand why her warden was so against her totally incredible crime-fighting techniques. Surely, if she beat a mugger to death, he wouldn’t be able to ever torment an old lady of grade school kid ever again, right? Unless he was a zombie, of course, but that would bring up far too many questions that Libby couldn’t be bothered to even begin considering. Anyway, what really mattered was her warden’s inability to see reason. Apparently threatening to crush some stupid asshole’s skull was ‘inappropriate’, not that Libby could really see what was so wrong with it and her warden refused to properly explain to her what was so terrible about trying to destroy evil. They just continued repeating over and over again, “It’s just not okay, Libby,” until the superheroine in question was damn tempted to break a bottle over their head, if only to make them shut up for five minutes.
Thankfully, she managed to hold herself back, but there was still that nagging little voice in the back of her head - oddly enough, she thought it kind of sounded like Adam West, but she had probably just been watching way too many old episodes of Batman - that told her to just do it. Beat the shit out of her warden; it was the right thing to do, because they were just so fucking evil and it was her job as a kid sidekick to destroy evil in all it's forms! Or, well, that's what the comics had told her and that's what Libby was going to believe until proved otherwise.
With a sigh, Libby rubbed the sleep out of her eyes, whining under her breath about how bullshit it was that she couldn't sleep. Her warden was probably sleeping well, all safe and happy and totally evil enough to go around kidnapping innocent heroines; fucking asshole. All they ever did was bitch on and on about how she shouldn't threaten the other inmates and she shouldn't talk about her numerous murders like they were something to be proud of - but come on, completely destroying a guy's entire lower body with a car was definitely something to brag about. Obviously her warden was just too thick headed to understand. Or they were too evil. Whichever, really.